Watercolour
Back in Victorian times London was a dangerous place to be out on ones own as the light failed and the smog came down to shroud the buildings, muffle footfalls and the streets became bathed in an eerie gas lamp glow. But even back then the gallant Smudge (you wouldn't believe that if you were to see him stuffing Blueberry muffins into his face) was there to discretely ensure that a young ladies journey home was safe from misadventure.
I think this is following on from my previous Sherlock Holmes theme and there is something about Smudge that suits the era, maybe it's the over indulging, fat belly and the penchant for luxurious garb
It's interesting (to me at least), playing around with watercolour with line and without. Pen and Ink I know I can consistently do standing on my head with one hand tied to a squirrel, each little illustration taking at maximum an hour and a half from concept to finished. The watercolour is interesting playing with styles and limited palettes.
It is interesting (again probably only to me...) seeing how the character comes out and how the feel changes with different styles; the very 'cartoony' bight Smudge as in the Sketchbook entry, the difference with the New Years day approach, the difference again with the 'Sherlock Smudge Holmes' limited and muted colour approach with suggested background and with line and now as a more traditional style watercolour. Interesting as well that the less 'traditional' watercolour ones again take me about a hour and a half from concept to done, but the watercolour took me around two and a bit hours to do, mainly I think because I thought about traditional elements in the sketching and planning to make it feel more 'real'. All good fun, and that's probably the last semi intelligent thing that I will say, back to inane captions tomorrow!
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